The story of o full movie

The Story Of O Full Movie Account Options

Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. The Story of O / Histoire d'O () FULL MOVIE. 7 / 7 Basec Cucok · The Story of O (Fragment 1). TimelessWomen · · The Story of O Details: , France, Rest of the world, USA, Cert 18, 95 mins. Direction: Just Jaeckin. Genre: Drama. Summary: The beautiful O (Corinne Clery) is taken by her. Die Geschichte der O ist ein Liebesfilm des französischen Filmregisseurs und Modefotografen Just Jaeckin aus dem Jahr Der Film basiert auf dem. safstaekoforskola.se - Kaufen Sie Die Geschichte der O. / The Story of O (Original and Extended Der Film folgt einem (zunächst unter Pseudonym) erschienenen Roman. Other than that, I've no idea what was 'cut' from this full-​length version.

The story of o full movie

Schau dir Story of O Part 2 Full Movie auf safstaekoforskola.se, an, der besten Hardcore-​Porno-Webseite. safstaekoforskola.se biete die größte Auswahl an. Japanese movie, kind of love story - Full link: safstaekoforskola.se 1 h 41 min​Richsmartover - M Views -. p. Erotic Movie - Erotic - The Story of O. In der obigen Rezension wurde der Film ja genauestens beschrieben und ich habe dem relativ spärlichen Inhalt nichts Wesentliches hinzuzufügen. Gerade aber. Why iron, and why Free dating sites australia, and this insignia she did not understand? Xo gisele pussy were his first words. At the same time, the constriction of the waist caused her stomach to protrude and her backside to Fuck mom tube out sharply. The full skirt and the trapezoid-shaped neckline running from the base of the neck to the tips of the breasts Mature norma across the full length of the bosom seemed to the girl to be less a protective outfit than an instrument designed to Mature porn galleries or present. What followed was not of a nature Hung straight men reassure her. So O got up. Giving myself a blowjob hoped it had been he; would she ask him? Actually, both this flogging and the chain - which when attached to the ring of your collar keeps you more or less closely confined to your bed several hours a day - Straight guys eating cum intended less to make you suffer, Txx.com, or shed tears than to make you feel, Real married couple sex this suffering, that you are not free but fettered, and to teach you that you are totally dedicated to something Xxx party nl yourself. See the full list.

Pierre Christiane Minazzoli Anne-Marie Martine Kelly Eric, master II Gabriel Cattand The commander Li Sellgren Jacqueline a model Albane Navizet Andree Nadine Perles Jeanne Laure Moutoussamy Master I Alain Noury Ivan Florence Cayrol Edit Storyline The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion.

Taglines: "O" is the mistress of all mistresses. Genres: Drama. Edit Did You Know? Trivia The role of O was originally offered to Anulka Dziubinska though she declined on the advice of her agent.

Goofs Most of the times that O's being whipped, there is no sound of the whip hitting her body. It doesn't mean that you'll never give yourself to a stranger in front of him who loves you.

The censors themselves did not make any cuts to this dubbed version, but around 8 minutes of non-sexual narrative scenes were removed by the director for pacing reasons.

The fully uncut, subtitled version has played in the UK on the subscription channel FilmFour. User Reviews oddity 1 February by didi-5 — See all my reviews.

Was this review helpful to you? Yes No Report this. Add the first question. Language: French English Polish.

Production Co: A. Runtime: min min uncut re-release. O's visit concludes with having rings pierced into her labia at the request of Sir Stephen, and receiving a brand with his initials.

While at first resistant to getting Jacqueline to go to Roissy, O eventually agrees. Jacqueline moves into O's flat, and is seduced by her.

O reveals her BDSM lifestyle and describes her stay at Roissy to Jacqueline, who is initially repulsed and disbelieving.

Sir Stephen shares O with two other men of his acquaintance, one simply known as "the commander" and the other a young man named Ivan.

After one sexual encounter with O, Ivan believes himself to be in love with her and requests Sir Stephen release her. However O refuses to leave Sir Stephen.

Later Sir Stephen and O visit the commander's home in Brittany for a party, where O is treated as a visual spectacle, wearing nothing but chains and an owl mask.

Watching O at the party, Sir Stephen feels that his ownership of her is complete. Some time after that, O asks Sir Stephen if he would endure the same punishments and experiences that she has undergone to show her unconditional love for him.

When he says "I suppose so", she suddenly burns his hand with a hot cigarette holder, leaving there a circle, or an O. It was the first in a series of sex-orientated movies for Anthony Steel, although he was always clothed.

He did not touch her further, did not say a word, turned out the light, which was a bracket lamp on the wall between the two doors, and went out.

Lying on her left side, alone in the darkness and silence, hot beneath her two layers of fur, of necessity motionless, O tried to figure out why there was so much sweetness mingled with the terror in her, or why her terror seemed itself so sweet.

She realized that one of the things that most distressed her was the fact that she had been deprived of the use of her hands; not that her hands could have defended her and did she really want to defend herself?

O's hands had been taken away from her; her body beneath the fur was inaccessible to her. How strange it was not to be able to touch one's own knees, or the hollow of one's own belly.

The lips between her legs, her burning lips were forbidden her, and perhaps they were burning because she knew they were open to the first comer: to the valet Pierre, if he cared to enter.

She was surprised that the whipping she had received had left her so untroubled, so calm, whereas the thought that she would probably never know which of the four men had twice taken her from behind, and whether it was the same man both times, and whether it had been her lover, quite distressed her.

She turned over slightly on her stomach, recalling that her lover loved the furrow between her buttocks which, except for this evening if it had been he , he had never penetrated.

She hoped it had been he; would she ask him? Ah, never! Again she saw the hand which in the car had taken her garter belt and panties, and had stretched the garters so that she could roll her stockings down to above her knees.

The memory was so vivid that she forgot her hands were bound and made the chain grate. And why, if she took the memory of the torture she had gone through so lightly, why did the very idea , the very word or sight of a whip make her heart beat wildly and her eyes close with terror?

She did not stop to consider whether it was only terror; she was overwhelmed with panic: they would pull on her chain and haul her to her feet on the bed, and they would whip her, with her belly glued to the wall they would whip her, whip her, the word kept turning in her head.

Pierre would whip her, Jeanne had said he would. You're lucky, Jeanne had repeated, they'll be a lot harder on you. What had she meant by that?

She no longer felt anything but the collar, the bracelets, and the chain; her body was drifting away. She fell asleep.

In the wee hours of the night, just before dawn when it is darkest and coldest, Pierre reappeared. He turned on the light in the bathroom, leaving the door open so that a square of light fell on the middle of the bed, on the spot where O's slender body was curled, making a small mound beneath the cover, which silently he pulled back.

Since O was sleeping on her left side, her face to the window and her legs slightly drawn up, the view she offered him was that of her white flanks, which seemed even whiter against the black fur.

He took the pillow from beneath her head and said politely:. The square of light on the bed, which was faint, since the bed was black, illuminated her body, but not his gestures.

She guessed, but could not see, that he was undoing the chain to rehook it to another link, so that it would remain taut, and she could feel it growing tighter.

Her feet, which were bare, were solidly planted on the bed. Nor was she able to see that he had in his belt not the leather whip but the black riding crop similar to the one they had hit her with while she was tied to the stake, but they had only used it twice on her and had not hit her hard.

She felt Pierre's left hand on her waist, the Mattress gave a little as, to steady himself, he put his right foot on it. At the same time as she heard a whistling noise in the semi-darkness, O felt a terrible burning across her back, and she screamed.

Pierre flogged her with all his might. He did not wait for her screams to subside, but struck her again four times, being careful each time to lash her above or below the preceding spot, so that the traces would be all the clearer.

Even after he had stopped she went on screaming, and the tears streamed down into her open mouth. When she was facing him, he moved back slightly and lowered his crop on the front of her thighs as hard as he could.

The whole thing had lasted five minutes. When he had left, after having turned out the light and closed the bathroom door, O was left moaning in the darkness, swaying back and forth along the wall at the end of her chain.

She tried to stop moaning and to immobilize herself against the wall, whose gleaming percale was cool on her tortured flesh, as day slowly began to break.

The tall window, toward which she was turned, for she was leaning on one hip, was facing the east.

It extended from floor to ceiling and except for the drapes - of the same red material as that on the wall - which graced it on either side and split into stiff folds below the curtain loops which held it, had not curtains.

O watched the slow birth of pale dawn, trailing its mist among the clusters of asters outside at the foot of her window, until finally a poplar tree appeared.

The yellow leaves from time to time fell in swirls, although there was no wind. In front of the window, beyond the bed of purple asters, there was a lawn, at the end of which was a pathway.

It was broad daylight by now, and O had not moved for a long time. A gardener appeared on the path, pushing a wheelbarrow.

The iron wheel could be heard squeaking over the gravel. If he had come over to rake the leaves that had fallen in among the asters, the window was so tall and the room so small and bright that he would have seen O chained and naked and the marks of the riding crop on her thighs.

The cuts were swollen, and had formed narrow swellings much darker in color than the red of the walls. Where was her lover sleeping, the way he loved to sleep on quiet mornings?

In what room, in what bed? Was he aware of the pain, the tortures to which he had delivered her? Was he the one who had decided what they would be?

O recalled the prisoners she had seen in engravings and in history books, who also had been chained and whipped many years ago, centuries ago, and had died.

She did not wish to die, but if torture was the price she had to pay to keep her lover's love, then she only hoped he was pleased that she had endured it.

All soft and silent she waited, waited for them to bring her back to him. None of the women had the keys to any locks, neither the locks to the doors nor the chains, the collars or bracelets, but every man carried a ring of three sets of keys, each of which, in the various categories, opened all the doors or all the padlocks, or all the collars.

The valets had them too. But in the morning the valets who had been on the night shift were sleeping, and it was one of the masters or another valet who came to open the locks.

The man who came into O's cell was dressed in a leather jacket and was wearing riding breeches and boots. She did not recognize him.

First he unlocked the chain on the wall, and O was able to lie down on the bed. Before he unlocked her wrists, he ran his hands between her thighs, the way the first man with mask and gloves, whom she had seen in the small red drawing room, had done.

It may have been the same one. His face was bony and fleshless, with that piercing look one associates with the portraits of the Huguenots, and his hair was gray.

O met his gaze for what seemed to be an endless time and, suddenly freezing, she remembered it was forbidden to look at the masters above the belt.

She closed her eyes, but it was too late, and she heard him laugh and say, as he finally freed her hands:. Afterward you can sleep till noon, and when you hear the bell it will be time to get ready for lunch.

You'll bathe and fix your hair. I'll come to make you up and lace up your bodice. After that you're on your own, and will have dealings only with the men.

We won't be able to talk to you, and you won't be able to talk to us either. The door opened; it was her lover, and he was not alone.

It was her lover, dressed the way he used to when he had just gotten out of bed and lighted the first cigarette of the day; in striped pajamas and a blue dressing gown, the wool robe with the padded silk lapels which they had picked out together a year before.

And his slippers were worn, she would have to buy him another pair. The two women disappeared with no other sound except the rustling of silk as they lifted their skirts all the skirts were a trifle long and trailed on the ground - on the carpet the mules could not be heard.

O, who was holding a cup of coffee in her left hand and a croissant in the other, was seated cross-legged, or rather half-cross-legged, on the edge of the bed, one of her legs dangling and the other tucked up under her.

She did not move, but her cup suddenly began to shake in her hand, and she dropped the croissant. They were his first words. She put the cup down on the table, picked up the partly eaten croissant, and put it beside the cup.

A fat croissant crumb still lay on the rug, beside her bare foot. Then he sat down near O, pulled her back down onto the bed and kissed her.

She asked him if he loved her. He answered: "Yes, I love you! Since he had come in with her lover, O did not know whether or not she could look at the man who had entered with him and who, for the moment, had his back to them and was smoking a cigarette near the door.

What followed was not of a nature to reassure her. The unknown man, whom she still did not dare to look at, then asked her, after having run his hand over her breasts and down her buttocks, to spread her legs.

He too was standing, and her back was against him. With his right hand he was caressing one breast, and his other was on her shoulder.

The unknown man had sat down on the edge of the bed, he had seized and slowly parted, drawing the fleece, the lips which protected the entrance itself.

This caress, to which she never submitted without a struggled and which always filled her with shame, and from which she escaped as quickly as she could, so quickly in fact that she had scarcely had a chance to be touched, this caress which seemed a sacrilege to her, for she deemed it sacrilege for her lover to be on his knees, feeling that she should be on hers, she suddenly felt that she would not escape from it now, and she saw herself doomed.

For she moaned when the alien lips, which were pressing upon the mound of flesh whence the inner corolla emanates, suddenly inflamed her, left her to allow the hot tip of the tongue to inflame her even more; she moaned even more when the lips began again: she felt the hidden point harden and rise, that point caught in a long, sucking bite between teeth and lips, which did not let go, a long soothing bite which made her gasp for breath.

At the first stroke she cried out, as though it had been the lash of a whip, then again at each new stroke, and her lover bit her mouth.

The man tore himself abruptly away from her and fell back on the floor, as though struck by lightning, and he too gave a cry.

In a flash, O saw herself released, reduced to nothing, accursed. She had moaned beneath the lips of the stranger as never her lover had made her moan, cried out under the impact of a stranger's member as never her lover had made her cry out.

She felt debased and guilty. She could not blame him if he were to leave her. But no, the door was closing again, he was staying with her, he was coming back, lying down beside her beneath the cover, he was slipping into her moist, hot belly and, still holding her in this embrace, he said to her:.

When I'll also have given you to the valets, I'll come in one night and have you flogged till you bleed. The sun had broken through the mist and flooded the room.

But only the midday bell woke them up. O was at a loss what to do. Her lover was there, as close, as tenderly relaxed and surrendered as he was in the bed in that low-ceilinged room to which, almost every night since they had begun living together, he came to sleep with her.

It was a big, mahogany, English-style four-0poster bed, without the awning, and the posters at the head were taller than those at the foot.

He always slept on her left, and whenever he awoke, even were it in the middle of the night, his hands inevitably reached down for her legs.

This is why she never wore anything but a nightgown or, if she had on pajamas, never put on the bottoms. He did so now; she took that hand and kissed it, without ever daring to ask him for anything.

But he spoke. That she was dependent on him, and on him alone, even though she might receive orders from persons other than himself, whether he was present or absent, for as a matter of principle he was participating in whatever might be demanded of or inflicted on her, and that it was he who possessed and enjoyed her through those into whose hands she had been given, by the simple fact that he had given her to them.

She must greet them and submit to them with the same respect with which she greeted him, as though they were so many reflections of him.

Thus he would possess her as a god possesses his creatures, whom he lays hold of in the guise of a monster or a bird, of an invisible spirit or a state of ecstasy.

He did not wish to leave her. The more he surrendered her, the more he would hold her dear. The fact that he gave her was to him a proof, and ought to be one for her as well that she belonged to him: one can only give what belongs to you.

He gave her only to reclaim her immediately, to reclaim her enriched in his eyes, like some common object which had been used for some divine purpose and has thus been consecrated.

For a long time he had wanted to prostitute her, and he was delighted to feel that the pleasure he was deriving was even greater than he had hoped, and that it bound him to her all the more, as it bound her to him, all the more so because, through it, she would be more humiliated and ravaged.

Since she loved him, she could not help loving whatever derived from him. O listened and trembled with happiness, because he loved her, all acquiescent she trembled.

He doubtless guessed it, for he went on:. You won't be able not to revolt. Your submission will be obtained in spite of you, not only for the inimitable pleasure that I and others will derive from it, but also that you will be made aware of what has been done to you.

O was on the verge of saying that she was his slave and that she bore her bonds cheerfully. He stopped her. The same applies to me as well: with me you shall remain silent and obey.

I love you. Now get up. From now on the only times that you will open your mouth here in the presence of a man will be to cry out or to caress.

So O got up. She bathed and arranged her hair. The contact of her bruised loins with the tepid water made her shiver, and she had to sponge herself without rubbing to keep from reviving the burning pain.

She made up her mouth but not her eyes, powdered herself and, still naked but with lowered eyes, came back into the room. He told her to dress O.

Jeanne took the bodice of green satin, the white petticoat, the dress, the green mules and having hooked up O's bodice in front, began to lace it up tight in the back.

The bodice was long and stiff, stoutly whaleboned as during the period when wasp waists were in style, with gussets to support the breasts.

The more the bodice was tightened, the more the breasts were lifted, supported as they were by the gussets, and the nipples displayed more prominently.

At the same time, the constriction of the waist caused her stomach to protrude and her backside to arch out sharply.

The strange thing was that this armor was very comfortable and to a certain extent restful. It made you stand up very straight, but it made you realize - why, it was hard to tell unless it was by contract - the freedom, or rather the unavailability, of that part of the body left unrestricted.

The full skirt and the trapezoid-shaped neckline running from the base of the neck to the tips of the breasts and across the full length of the bosom seemed to the girl to be less a protective outfit than an instrument designed to provoke or present.

When Jeanne had tied the laces in a double knot, O took her dress from the bed. It was a one-piece dress, with the petticoat attached to the skirt like a detachable lining, and the bodice, cross-laced in front and tied in the back, was thus able to follow more or less the delicate contours of her bosom, depending on how tightly the bodice was laced.

Jeanne had laced it very tight, and through the open door O was able to see herself reflected in the mirror, slim and lost in the green satin which billowed at her hips, as a hoop skirt would have done.

The two women were standing side by side. Jeanne reached out to smooth a wrinkle in the green dress, and her breasts stirred in the lace fringes of her bodice, breasts whose tips were long and the halos brown.

Her dress was of yellow faille. O saw. She saw his ironic but attentive face, his eyes carefully watching Jeanne's half-open mouth and her neck, which was thrown back, tightly circled by the leather collar.

What pleasure was she giving him, yes she, that this girl or any other could not? No, that had not occurred to her. She had collapsed against the wall, between the two doors, her arms hanging limp.

There was no longer any need to tell her to keep quiet. How could she have spoken? Perhaps he was touched by her despair.

He left Jeanne and took her in his arms, calling her his love and his life, saying over and over again that he loved her.

The hand he was caressing her neck with was moist with the odor of Jeanne. And so? The despair that had overwhelmed her slowly ebbed: he loved her, ah he loved her.

He was free to enjoy himself with Jeanne, or with others, he loved her. Jeanne took O by the hand and let her out into the hallway.

Their mules again made a resounding noise on the tile floor, and again they found a valet seated on a bench between the doors. He was dressed like Pierre, but it was not Pierre.

This one was tall, dry, and had dark hair. He preceded them and showed them into an antechamber where, before a wrought-iron door that stood between two tall green drapes, two other valets were waiting, some white dogs with russet spots lying at their feet.

But the valet who was walking in front of them heard her and turned around. O was amazed to see Jeanne turn deathly pale and let go of her hand, let go of her dress which she was holding lightly with her other hand, and sink to her knees on the black tile floor - for the antechamber was tiled in black marble.

The two valets near the gate burst out laughing. One of them came over to O and politely invited her to follow him, opened a door opposite the one she had just entered, and stood aside.

She heard laughter and the sound of footsteps, then the door closed behind her. She never - no, never - learned what had happened, whether Jeanne had been punished for having spoken, and if so what the punishment had been, or whether she had simply yielded to a caprice on the part of the valet, or whether in throwing herself on her knees she had been obeying some rule or trying to move the valet to pity, and whether she had succeeded.

It was as though clothing gave them a feeling of assurance which nakedness and nocturnal chains, and the master's presence, destroyed.

She also noticed that, whereas the slightest gestures which might have been construed as an advance toward one of the masters seemed quite naturally inconceivable, the same was not true for the valets.

They never gave orders, although the courtesy of their requests was as implacable as an order. They had apparently been enjoined to punish to the letter infractions of the rules which occurred in their presence, and to punish them on the spot.

Thus, on three occasions, O saw girls who were caught talking thrown to the floor and whipped - once in the hallway leading to the red wing, and twice again in the fectory they had just entered.

So it was possible to be whipped in broad daylight, despite what they had told her the first evening, as though what happened with the valets did not count and was left to their discretion.

Daylight made their outfits look strange and menacing. Some valets wore black stockings and, in place of the red jacket and white ruffled shirt, a soft wide-sleeved shirt of red silk, gathered at the neck and with the sleeves also gathered at the wrists.

It was one of these valets who, on the eight day at noon, his whip already in his hand, made a buxom blonde named Madeleine, who was seated not far from O, get up off her stool.

Madeleine, whose bosom was all milk and roses, had smiled at him and spoken a few words so quickly that O had missed them. Before he had time to touch her she was on her knees, her hand, so white against the black silk, lightly stroking the still dormant sex, which she took out and brought to her half-opened mouth.

That time she was not whipped. And since he was then the only monitor in the refectory, and since he closed his eyes as he accepted the caress, the other girls began talking.

So it was possible to bribe the valets. But what was the use? If there was one rule to which O had trouble submitting, and indeed never really submitted to completely, it was the rule forbidding them to look men in the face - considering that the rule applied to the valets as well, O felt herself in constant danger, so compelling was her curiosity about faces, and she was in fact whipped by both the valets, not, in truth, each time they noticed her doing for they took some liberties with instructions, and perhaps cared enough about the fascination they exercised not to deprive themselves, by too strict or efficacious an application of the rules, of the gazes which would leave their face or mouth only to return to their sex, their whips, and their hands, and then start in all over again , but only when in all probability they wanted to humiliate her.

No matter how cruelly they treated her when they had made up their minds to do so, she none the less never had the courage, or the cowardice, to throw herself at their knees, and though she submitted to them at times she never tempted or urged them on.

As for the rule of silence, it meant so little to her that, except in the case of her lover, she did not once break it, replying by signals whenever another girl would take advantage of their guards' momentary distraction to speak to her.

This was generally during meals, which were taken in the room into which they had been ushered, when the tall valet accompanying them had turned around to Jeanne.

The walls were black and the stone floor was black, the long table, of heavy glass, was black too, and each girl had a round stool covered with black leather on which to sit.

They had to lift their skirts to sit down, and in so doing O rediscovered, the moment she felt the smooth, cold leather beneath her thighs, that first moment when her lover had made her take off her stockings and panties and sit in the same manner on the back seat of the car.

And yet nothing had been such a comfort to her as the silence, unless it was the chains. The chains and the silence, which should have bound her deep within herself, which should have smothered her, strangled her, on the contrary freed her from herself.

What would have become of her if she had been granted the right to speak and the freedom of her hands, if she had been free to make a choice, when her lover prostituted her before his own eyes?

True, she did not speak as she was being tortured, but can moans and cries be classed as words? Besides, they often stilled her by gagging.

Beneath the gazes, beneath the hands, beneath the sexes that defiled her, the whips that rent her, she lost herself in a delirious absence from herself which restored her to love and perhaps, brought her to the edge of death.

She was anyone, anyone at all, any one of the other girls, opened and forced like her, girls whom she saw being opened and forced, for she did see it, even when she was not obliged to have a hand in it.

Thus, less than twenty-four hours after her arrival, during her second day there, she was taken after the meal into the library, there to serve coffee and tend the fire.

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O Udo Kier Rene Anthony Steel Sir Stephen Jean Gaven Pierre Christiane Minazzoli Anne-Marie Martine Kelly Eric, master II Gabriel Cattand The commander Li Sellgren Jacqueline a model Albane Navizet Andree Nadine Perles Jeanne Laure Moutoussamy Master I Alain Noury Ivan Florence Cayrol Edit Storyline The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion.

Taglines: "O" is the mistress of all mistresses. Genres: Drama. Edit Did You Know? Trivia The role of O was originally offered to Anulka Dziubinska though she declined on the advice of her agent.

Goofs Most of the times that O's being whipped, there is no sound of the whip hitting her body. It doesn't mean that you'll never give yourself to a stranger in front of him who loves you.

The censors themselves did not make any cuts to this dubbed version, but around 8 minutes of non-sexual narrative scenes were removed by the director for pacing reasons.

Times [London, England] 3 June 3. The Times Digital Archive. Rotten Tomatoes. Retrieved 29 June Films directed by Just Jaeckin.

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Wikimedia Commons. She did not stop to consider whether it was only terror; she was overwhelmed with panic: they would pull on her chain and haul her to her feet on the bed, and they would whip her, with her belly glued to the wall they would whip her, whip her, the word kept turning in her head.

Pierre would whip her, Jeanne had said he would. You're lucky, Jeanne had repeated, they'll be a lot harder on you. What had she meant by that?

She no longer felt anything but the collar, the bracelets, and the chain; her body was drifting away. She fell asleep. In the wee hours of the night, just before dawn when it is darkest and coldest, Pierre reappeared.

He turned on the light in the bathroom, leaving the door open so that a square of light fell on the middle of the bed, on the spot where O's slender body was curled, making a small mound beneath the cover, which silently he pulled back.

Since O was sleeping on her left side, her face to the window and her legs slightly drawn up, the view she offered him was that of her white flanks, which seemed even whiter against the black fur.

He took the pillow from beneath her head and said politely:. The square of light on the bed, which was faint, since the bed was black, illuminated her body, but not his gestures.

She guessed, but could not see, that he was undoing the chain to rehook it to another link, so that it would remain taut, and she could feel it growing tighter.

Her feet, which were bare, were solidly planted on the bed. Nor was she able to see that he had in his belt not the leather whip but the black riding crop similar to the one they had hit her with while she was tied to the stake, but they had only used it twice on her and had not hit her hard.

She felt Pierre's left hand on her waist, the Mattress gave a little as, to steady himself, he put his right foot on it.

At the same time as she heard a whistling noise in the semi-darkness, O felt a terrible burning across her back, and she screamed.

Pierre flogged her with all his might. He did not wait for her screams to subside, but struck her again four times, being careful each time to lash her above or below the preceding spot, so that the traces would be all the clearer.

Even after he had stopped she went on screaming, and the tears streamed down into her open mouth. When she was facing him, he moved back slightly and lowered his crop on the front of her thighs as hard as he could.

The whole thing had lasted five minutes. When he had left, after having turned out the light and closed the bathroom door, O was left moaning in the darkness, swaying back and forth along the wall at the end of her chain.

She tried to stop moaning and to immobilize herself against the wall, whose gleaming percale was cool on her tortured flesh, as day slowly began to break.

The tall window, toward which she was turned, for she was leaning on one hip, was facing the east. It extended from floor to ceiling and except for the drapes - of the same red material as that on the wall - which graced it on either side and split into stiff folds below the curtain loops which held it, had not curtains.

O watched the slow birth of pale dawn, trailing its mist among the clusters of asters outside at the foot of her window, until finally a poplar tree appeared.

The yellow leaves from time to time fell in swirls, although there was no wind. In front of the window, beyond the bed of purple asters, there was a lawn, at the end of which was a pathway.

It was broad daylight by now, and O had not moved for a long time. A gardener appeared on the path, pushing a wheelbarrow. The iron wheel could be heard squeaking over the gravel.

If he had come over to rake the leaves that had fallen in among the asters, the window was so tall and the room so small and bright that he would have seen O chained and naked and the marks of the riding crop on her thighs.

The cuts were swollen, and had formed narrow swellings much darker in color than the red of the walls. Where was her lover sleeping, the way he loved to sleep on quiet mornings?

In what room, in what bed? Was he aware of the pain, the tortures to which he had delivered her? Was he the one who had decided what they would be?

O recalled the prisoners she had seen in engravings and in history books, who also had been chained and whipped many years ago, centuries ago, and had died.

She did not wish to die, but if torture was the price she had to pay to keep her lover's love, then she only hoped he was pleased that she had endured it.

All soft and silent she waited, waited for them to bring her back to him. None of the women had the keys to any locks, neither the locks to the doors nor the chains, the collars or bracelets, but every man carried a ring of three sets of keys, each of which, in the various categories, opened all the doors or all the padlocks, or all the collars.

The valets had them too. But in the morning the valets who had been on the night shift were sleeping, and it was one of the masters or another valet who came to open the locks.

The man who came into O's cell was dressed in a leather jacket and was wearing riding breeches and boots. She did not recognize him. First he unlocked the chain on the wall, and O was able to lie down on the bed.

Before he unlocked her wrists, he ran his hands between her thighs, the way the first man with mask and gloves, whom she had seen in the small red drawing room, had done.

It may have been the same one. His face was bony and fleshless, with that piercing look one associates with the portraits of the Huguenots, and his hair was gray.

O met his gaze for what seemed to be an endless time and, suddenly freezing, she remembered it was forbidden to look at the masters above the belt.

She closed her eyes, but it was too late, and she heard him laugh and say, as he finally freed her hands:. Afterward you can sleep till noon, and when you hear the bell it will be time to get ready for lunch.

You'll bathe and fix your hair. I'll come to make you up and lace up your bodice. After that you're on your own, and will have dealings only with the men.

We won't be able to talk to you, and you won't be able to talk to us either. The door opened; it was her lover, and he was not alone.

It was her lover, dressed the way he used to when he had just gotten out of bed and lighted the first cigarette of the day; in striped pajamas and a blue dressing gown, the wool robe with the padded silk lapels which they had picked out together a year before.

And his slippers were worn, she would have to buy him another pair. The two women disappeared with no other sound except the rustling of silk as they lifted their skirts all the skirts were a trifle long and trailed on the ground - on the carpet the mules could not be heard.

O, who was holding a cup of coffee in her left hand and a croissant in the other, was seated cross-legged, or rather half-cross-legged, on the edge of the bed, one of her legs dangling and the other tucked up under her.

She did not move, but her cup suddenly began to shake in her hand, and she dropped the croissant.

They were his first words. She put the cup down on the table, picked up the partly eaten croissant, and put it beside the cup.

A fat croissant crumb still lay on the rug, beside her bare foot. Then he sat down near O, pulled her back down onto the bed and kissed her.

She asked him if he loved her. He answered: "Yes, I love you! Since he had come in with her lover, O did not know whether or not she could look at the man who had entered with him and who, for the moment, had his back to them and was smoking a cigarette near the door.

What followed was not of a nature to reassure her. The unknown man, whom she still did not dare to look at, then asked her, after having run his hand over her breasts and down her buttocks, to spread her legs.

He too was standing, and her back was against him. With his right hand he was caressing one breast, and his other was on her shoulder.

The unknown man had sat down on the edge of the bed, he had seized and slowly parted, drawing the fleece, the lips which protected the entrance itself.

This caress, to which she never submitted without a struggled and which always filled her with shame, and from which she escaped as quickly as she could, so quickly in fact that she had scarcely had a chance to be touched, this caress which seemed a sacrilege to her, for she deemed it sacrilege for her lover to be on his knees, feeling that she should be on hers, she suddenly felt that she would not escape from it now, and she saw herself doomed.

For she moaned when the alien lips, which were pressing upon the mound of flesh whence the inner corolla emanates, suddenly inflamed her, left her to allow the hot tip of the tongue to inflame her even more; she moaned even more when the lips began again: she felt the hidden point harden and rise, that point caught in a long, sucking bite between teeth and lips, which did not let go, a long soothing bite which made her gasp for breath.

At the first stroke she cried out, as though it had been the lash of a whip, then again at each new stroke, and her lover bit her mouth. The man tore himself abruptly away from her and fell back on the floor, as though struck by lightning, and he too gave a cry.

In a flash, O saw herself released, reduced to nothing, accursed. She had moaned beneath the lips of the stranger as never her lover had made her moan, cried out under the impact of a stranger's member as never her lover had made her cry out.

She felt debased and guilty. She could not blame him if he were to leave her. But no, the door was closing again, he was staying with her, he was coming back, lying down beside her beneath the cover, he was slipping into her moist, hot belly and, still holding her in this embrace, he said to her:.

When I'll also have given you to the valets, I'll come in one night and have you flogged till you bleed. The sun had broken through the mist and flooded the room.

But only the midday bell woke them up. O was at a loss what to do. Her lover was there, as close, as tenderly relaxed and surrendered as he was in the bed in that low-ceilinged room to which, almost every night since they had begun living together, he came to sleep with her.

It was a big, mahogany, English-style four-0poster bed, without the awning, and the posters at the head were taller than those at the foot.

He always slept on her left, and whenever he awoke, even were it in the middle of the night, his hands inevitably reached down for her legs.

This is why she never wore anything but a nightgown or, if she had on pajamas, never put on the bottoms. He did so now; she took that hand and kissed it, without ever daring to ask him for anything.

But he spoke. That she was dependent on him, and on him alone, even though she might receive orders from persons other than himself, whether he was present or absent, for as a matter of principle he was participating in whatever might be demanded of or inflicted on her, and that it was he who possessed and enjoyed her through those into whose hands she had been given, by the simple fact that he had given her to them.

She must greet them and submit to them with the same respect with which she greeted him, as though they were so many reflections of him.

Thus he would possess her as a god possesses his creatures, whom he lays hold of in the guise of a monster or a bird, of an invisible spirit or a state of ecstasy.

He did not wish to leave her. The more he surrendered her, the more he would hold her dear. The fact that he gave her was to him a proof, and ought to be one for her as well that she belonged to him: one can only give what belongs to you.

He gave her only to reclaim her immediately, to reclaim her enriched in his eyes, like some common object which had been used for some divine purpose and has thus been consecrated.

For a long time he had wanted to prostitute her, and he was delighted to feel that the pleasure he was deriving was even greater than he had hoped, and that it bound him to her all the more, as it bound her to him, all the more so because, through it, she would be more humiliated and ravaged.

Since she loved him, she could not help loving whatever derived from him. O listened and trembled with happiness, because he loved her, all acquiescent she trembled.

He doubtless guessed it, for he went on:. You won't be able not to revolt. Your submission will be obtained in spite of you, not only for the inimitable pleasure that I and others will derive from it, but also that you will be made aware of what has been done to you.

O was on the verge of saying that she was his slave and that she bore her bonds cheerfully. He stopped her. The same applies to me as well: with me you shall remain silent and obey.

I love you. Now get up. From now on the only times that you will open your mouth here in the presence of a man will be to cry out or to caress.

So O got up. She bathed and arranged her hair. The contact of her bruised loins with the tepid water made her shiver, and she had to sponge herself without rubbing to keep from reviving the burning pain.

She made up her mouth but not her eyes, powdered herself and, still naked but with lowered eyes, came back into the room. He told her to dress O.

Jeanne took the bodice of green satin, the white petticoat, the dress, the green mules and having hooked up O's bodice in front, began to lace it up tight in the back.

The bodice was long and stiff, stoutly whaleboned as during the period when wasp waists were in style, with gussets to support the breasts.

The more the bodice was tightened, the more the breasts were lifted, supported as they were by the gussets, and the nipples displayed more prominently.

At the same time, the constriction of the waist caused her stomach to protrude and her backside to arch out sharply.

The strange thing was that this armor was very comfortable and to a certain extent restful. It made you stand up very straight, but it made you realize - why, it was hard to tell unless it was by contract - the freedom, or rather the unavailability, of that part of the body left unrestricted.

The full skirt and the trapezoid-shaped neckline running from the base of the neck to the tips of the breasts and across the full length of the bosom seemed to the girl to be less a protective outfit than an instrument designed to provoke or present.

When Jeanne had tied the laces in a double knot, O took her dress from the bed. It was a one-piece dress, with the petticoat attached to the skirt like a detachable lining, and the bodice, cross-laced in front and tied in the back, was thus able to follow more or less the delicate contours of her bosom, depending on how tightly the bodice was laced.

Jeanne had laced it very tight, and through the open door O was able to see herself reflected in the mirror, slim and lost in the green satin which billowed at her hips, as a hoop skirt would have done.

The two women were standing side by side. Jeanne reached out to smooth a wrinkle in the green dress, and her breasts stirred in the lace fringes of her bodice, breasts whose tips were long and the halos brown.

Her dress was of yellow faille. O saw. She saw his ironic but attentive face, his eyes carefully watching Jeanne's half-open mouth and her neck, which was thrown back, tightly circled by the leather collar.

What pleasure was she giving him, yes she, that this girl or any other could not? No, that had not occurred to her. She had collapsed against the wall, between the two doors, her arms hanging limp.

There was no longer any need to tell her to keep quiet. How could she have spoken? Perhaps he was touched by her despair.

He left Jeanne and took her in his arms, calling her his love and his life, saying over and over again that he loved her.

The hand he was caressing her neck with was moist with the odor of Jeanne. And so? The despair that had overwhelmed her slowly ebbed: he loved her, ah he loved her.

He was free to enjoy himself with Jeanne, or with others, he loved her. Jeanne took O by the hand and let her out into the hallway. Their mules again made a resounding noise on the tile floor, and again they found a valet seated on a bench between the doors.

He was dressed like Pierre, but it was not Pierre. This one was tall, dry, and had dark hair. He preceded them and showed them into an antechamber where, before a wrought-iron door that stood between two tall green drapes, two other valets were waiting, some white dogs with russet spots lying at their feet.

But the valet who was walking in front of them heard her and turned around. O was amazed to see Jeanne turn deathly pale and let go of her hand, let go of her dress which she was holding lightly with her other hand, and sink to her knees on the black tile floor - for the antechamber was tiled in black marble.

The two valets near the gate burst out laughing. One of them came over to O and politely invited her to follow him, opened a door opposite the one she had just entered, and stood aside.

She heard laughter and the sound of footsteps, then the door closed behind her. She never - no, never - learned what had happened, whether Jeanne had been punished for having spoken, and if so what the punishment had been, or whether she had simply yielded to a caprice on the part of the valet, or whether in throwing herself on her knees she had been obeying some rule or trying to move the valet to pity, and whether she had succeeded.

It was as though clothing gave them a feeling of assurance which nakedness and nocturnal chains, and the master's presence, destroyed. She also noticed that, whereas the slightest gestures which might have been construed as an advance toward one of the masters seemed quite naturally inconceivable, the same was not true for the valets.

They never gave orders, although the courtesy of their requests was as implacable as an order. They had apparently been enjoined to punish to the letter infractions of the rules which occurred in their presence, and to punish them on the spot.

Thus, on three occasions, O saw girls who were caught talking thrown to the floor and whipped - once in the hallway leading to the red wing, and twice again in the fectory they had just entered.

So it was possible to be whipped in broad daylight, despite what they had told her the first evening, as though what happened with the valets did not count and was left to their discretion.

Daylight made their outfits look strange and menacing. Some valets wore black stockings and, in place of the red jacket and white ruffled shirt, a soft wide-sleeved shirt of red silk, gathered at the neck and with the sleeves also gathered at the wrists.

It was one of these valets who, on the eight day at noon, his whip already in his hand, made a buxom blonde named Madeleine, who was seated not far from O, get up off her stool.

Madeleine, whose bosom was all milk and roses, had smiled at him and spoken a few words so quickly that O had missed them. Before he had time to touch her she was on her knees, her hand, so white against the black silk, lightly stroking the still dormant sex, which she took out and brought to her half-opened mouth.

That time she was not whipped. And since he was then the only monitor in the refectory, and since he closed his eyes as he accepted the caress, the other girls began talking.

So it was possible to bribe the valets. But what was the use? If there was one rule to which O had trouble submitting, and indeed never really submitted to completely, it was the rule forbidding them to look men in the face - considering that the rule applied to the valets as well, O felt herself in constant danger, so compelling was her curiosity about faces, and she was in fact whipped by both the valets, not, in truth, each time they noticed her doing for they took some liberties with instructions, and perhaps cared enough about the fascination they exercised not to deprive themselves, by too strict or efficacious an application of the rules, of the gazes which would leave their face or mouth only to return to their sex, their whips, and their hands, and then start in all over again , but only when in all probability they wanted to humiliate her.

No matter how cruelly they treated her when they had made up their minds to do so, she none the less never had the courage, or the cowardice, to throw herself at their knees, and though she submitted to them at times she never tempted or urged them on.

As for the rule of silence, it meant so little to her that, except in the case of her lover, she did not once break it, replying by signals whenever another girl would take advantage of their guards' momentary distraction to speak to her.

This was generally during meals, which were taken in the room into which they had been ushered, when the tall valet accompanying them had turned around to Jeanne.

The walls were black and the stone floor was black, the long table, of heavy glass, was black too, and each girl had a round stool covered with black leather on which to sit.

They had to lift their skirts to sit down, and in so doing O rediscovered, the moment she felt the smooth, cold leather beneath her thighs, that first moment when her lover had made her take off her stockings and panties and sit in the same manner on the back seat of the car.

And yet nothing had been such a comfort to her as the silence, unless it was the chains. The chains and the silence, which should have bound her deep within herself, which should have smothered her, strangled her, on the contrary freed her from herself.

What would have become of her if she had been granted the right to speak and the freedom of her hands, if she had been free to make a choice, when her lover prostituted her before his own eyes?

True, she did not speak as she was being tortured, but can moans and cries be classed as words? Besides, they often stilled her by gagging.

Beneath the gazes, beneath the hands, beneath the sexes that defiled her, the whips that rent her, she lost herself in a delirious absence from herself which restored her to love and perhaps, brought her to the edge of death.

She was anyone, anyone at all, any one of the other girls, opened and forced like her, girls whom she saw being opened and forced, for she did see it, even when she was not obliged to have a hand in it.

Thus, less than twenty-four hours after her arrival, during her second day there, she was taken after the meal into the library, there to serve coffee and tend the fire.

Jeanne, whom the black-haired valet had brought back, went with her, as did another girl named Monique. It was this same valet who took them there and remained in the room, stationed near the stake to which O had been attached.

The library was still empty. The French doors faced wet, and in the vast, almost cloudless sky the autumn sun slowly pursued its course, its rays lighting, on a chest of drawers, an enormous bouquet of sulphur colored chrysanthemums which smelled of earth and dead leaves.

She nodded that he had. Please roll up your dress. He waited till she had rolled her robe up and behind, the way Jeanne had done the evening before, and till Jeanne had helped her fasten it there.

Then he told her to light the fire. O's backside up to her waist, her thighs, her slender legs, was framed in the cascading folds of green silk and white linen.

The five welts had turned black. The fire was ready on the hearth, all O had to do was ignite the straw beneath the kindling, which leaped into flame.

Soon the branches of apple wood caught, then the oak logs, which burned with tall, crackling, almost colorless flames which were almost invisible in the daylight, but which smelled good.

Another valet entered and placed a tray filled with coffee cups on the console, from which the lamp had been removed, then left the room.

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